By Glenn Kennel
Colour and studying for electronic Cinema explores the consequences for movie publish construction methods and adjustments required to the assisting gear and software program. whereas a brand new inspiration to the movie group, the choice of the vast gamut, output-referred XYZ colour area for electronic cinema distribution relies on a long time of colour technological know-how and adventure in different industries. the reason for selecting XYZ and the opposite colour encoding parameters is defined and the e-book additionally presents a whole case examine of the advance of DLP Cinema?® projectors by means of Texas tools. ultimately, this ebook explores how the XYZ colour encoding idea may be prolonged to help more desirable exhibit applied sciences within the future.This publication contains:* very good 4-color illustrations that go with the colour technology factors * by no means ahead of released info from writer Glenn Kennel, an international chief in electronic cinema colour expertise * Descriptions of key matters and historical past on judgements that have been made within the standardization processBy Glenn Kennel, Glenn Kennel is VP/GM of function movie providers at Laser Pacific Media company, a number one supplier of an entire variety of put up creation companies for tv and have movie. lately, he labored for the DLP Cinema crew of Texas tools in a job that integrated know-how and enterprise improvement. formerly, in a twenty yr profession with Kodak, he led the advance of the Cineon electronic movie scanners and laser recorders and the prototype HDTV telecine that grew to become the Spirit Datacine. As a expert, he helped DCI draft the technical standards for electronic cinema. Kennel additionally chairs the SMPTE DC28 colour advert hoc team and the DC28.20 Distribution operating crew. he's a SMPTE Fellow and has obtained the SMPTE magazine Award. he's additionally a member of the Academy of movie Arts and Sciences. * wonderful 4-color illustrations praise the colour technological know-how reasons* by no means earlier than released info from writer Glenn Kennel, an international chief in electronic cinema colour expertise* This booklet describes the most important matters and gives historical past on judgements that have been made within the standardization procedure
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Extra resources for Color and Mastering for Digital Cinema (Digital Cinema Industry Handbook Series)
Color in Motion Picture Film In addition to the highlight compression induced by the shoulder of the negative film, the toe of the print film also induces further highlight compression. Printing Heavy Negatives It is common practice to over-expose negative films, when light levels permit, to reduce graininess, saturate colors, or for other creative reasons. When a negative film is overexposed, the result is a “heavy” negative, or one in which the densities are heavier (higher) than those on a normally exposed negative film.
This premium print stock boosts the contrast of the overall picture and provides deeper blacks. 17 compares the projected print-through curves of Vision and Vision Premier print films. 6 for Vision Premier corresponds to a contrast ratio of nearly 4,000:1, which exceeds the capabilities of today’s digital cinema projectors. It is important to note that this represents the maximum sequential contrast ratio that can be reproduced by a typical print film, from the brightest white (D-min) to the darkest black (D-max) and that these conditions are never achieved within a single frame.
Color Gamut of the Digital Cinema Reference Projector (dashed red line), compared to film samples (pastel green) and HDTV (dashed blue line). The boundaries of the visible spectrum is shown by the solid black horseshoe. Several points on the daylight illuminant curve are shown, with D55 and D65 labelled. Figure 3-8. Three Dimensional Color Plot of XYZ color space, showing the outlines of the visible spectrum and the box inclosed by the additive primaries of the Digital Cinema Reference projector (rendering courtesy of Jeremy Selan and George Joblove of Sony Pictures Imageworks).