Design: A Very Short Introduction (Very Short Introductions) by John Heskett

By John Heskett

John Heskett desires to remodel the way in which we expect approximately layout by way of exhibiting how critical it really is to our day-by-day lives, from the spoon we use to consume our breakfast cereal, and the automobile we force to paintings in, to the scientific apparatus used to save lots of lives. layout combines "need" and "desire" within the kind of a realistic item which may additionally replicate the user's id and aspirations via its shape and ornament. This concise consultant to modern layout is going past kind and style to examine how assorted cultures and members customize items. Heskett additionally finds how basic gadgets, similar to a toothpick, could have their layout transformed to fit the explicit cultural habit in several international locations. There also are interesting insights into how significant businesses comparable to Nokia, Ford, and Sony process layout. ultimately, Heskett offers us an exhilarating imaginative and prescient of what layout can provide us sooner or later, displaying particularly the way it can humanize new technology.

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`Review from prior version 'Erudite and well-researched...should be crucial interpreting for college students, educationalists, practicing designers, industrialists and government.'' Terence Conran

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Extra resources for Design: A Very Short Introduction (Very Short Introductions)

Sample text

Both tendencies could simultaneously claim to be contemporary while still retaining continuity through references to the past. Design articulated after the First World War in Europe. It was primarily associated with such figures as Theo van Doesburg, a Dutch theorist and leading member of the De Stijl group, Walter Gropius, the head of the Bauhaus school in Germany, and Le Corbusier in France. They evolved a repertoire of abstract geometric forms that in theory claimed to be the most suitable for the processes of standardized industrial production.

In other areas of design work, however, a group ethos predominates. Many design consultancies are organized as businesses and lack any specific reference to an individual. They often have large numbers of employees located in offices around the world working on a huge range of projects. One of the best known, IDEO, was founded by combining British and American consultancies and by the late 1990s had offices in London, San Francisco, Palo Alto, Chicago, Boston, and Tokyo. Metadesign, after being founded in Berlin, similarly functions on an international level, with affiliates in San Francisco and Zurich.

At their most profound level, forms can embody metaphysical significance, going beyond the boundaries of tangible form to become symbols of belief and faith, expressing the deepest beliefs and aspirations of humankind. Nothing in the specific form of totems from Pacific Island tribes or the North American plains, or of statues of Buddha or Shiva, or the Christian cross can even hint at the complexity of the beliefs and values they represent. Yet the significance of such symbols becomes regarded as an objective social fact, understood by all who share the beliefs they symbolize.

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