Digital capture and workflow for professional photographers by Tom Lee

By Tom Lee

Step-by-step recommendations for developing digitally stronger photographs, album layout, specialist presentation, and printing-industry-standard prints are one of the themes mentioned during this image-processing guidebook for pro photographers. Chapters, masking a myriad of concerns for profession photographers, contain picture keep an eye on, operating with JPEGs, processing uncooked records, pc ergonomics, and purchaser presentation. tips about developing adored albums through studying resizing, drop shadow, and composition methods, also are provided.

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If your camera was left in autofocus mode, the lens would “hunt” unsuccessfully for a focusing point and not make an exposure. 4. You should have a pure or near white image on the camera’s LCD screen. Press OK to confirm the setting and check the image in the back of the camera while bringing up the histogram. You should see something like the image below. If so, you can reset your focusing mode to auto. The histogram should look flat apart from a spike in the far right-hand side, indicating a good white balance.

We can therefore assign sRGB or Adobe RGB depending on the remainder of our workflow. In the past, color management has not been easy to understand or implement; however, with an ever increasing number of people embracing the digital revolution, equipment manufacturers, photographers, and printing labs are understanding the need to standardize and embrace the need to calibrate, profile, and take the necessary steps to ensure good workflow from beginning to end. Setting Up Photoshop Some photographers use Photoshop without altering its default settings.

Each spike represents the white, gray, and black areas of the target. In the next section, we are going to look at various ways of postprocessing RAW and JPEG files to get the optimum image for printing. The gray balance target as produced by Digital Photo Solutions (left). The resulting image (center) and spikes produced by the target in the histogram (right). 34 DIGITAL CAPTURE AND WORKFLOW FOR PROFESSIONAL PHOTOGRAPHERS CHAPTER SIX COLOR MANAGEMENT T here is much confusion over the concept of color management.

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