From Performance to Print in Shakespeare’s England by Peter Holland, Stephen Orgel (eds.)

By Peter Holland, Stephen Orgel (eds.)

What can the published texts of performs from Shakespeare's time say approximately functionality? How have revealed performs been learn and interpreted? This number of essays considers the facts of early smooth published performs and their histories of creation and reception, studying a large choice of instances, from early functionality to the psychology of Hamlet.

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The pencilled glosses record stage business and interpretive detail, and occasionally even indicate the verbal accentuation, the most ephemeral element of the production. The notes seem to have been made during The Book of the Play 41 C • h • •. : SVLPITII APOLLINARIS PHRIOCHA, Sororemfdlfi credkdm meretrkuU Genere Andria Giycerium uitiat Pdmphilus GrdHiddtyfaftd, ddtfdem uxorem fthi Fore hmc: ndtn dhdmpdter ei dip^onderdt Gndtdm chremeds: dtcp, ut dtnorem comferk Simuldt fumrds nuptids^cupiens^ft uus Qmd haberet dnimi films 3 cognofc o cere :-' -* Dduifudfu non repugndt Vdmphilus Sea ex oiycerio ndtum ut uiditpuerulum Chremes 3 recufdt nuptids 7generum dbdi cdt f~~ftoxfilidm'Gl) xpiidm Giycerium infyerdto dgnitdtn \ Hdnc Pdmphilo ddt 5 dlidm carino coniurcm PRO n.

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