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Professor Higgins is an expert in his field, just as the sculptor Pygmalion was in his. ” (Act II, 35) The final analogy is that both men turn uncarved stone into something beautiful using their talents. Unfortunately, Shaw does not allow the happy ending of the legend to occur in his play as sentimental people would hope. Rather after Higgins has molded her into his special creation, she develops her own defiant self that is totally independent from her creator. This illustrates Shaw’s dislike of overdone romantic plays with unrealistic endings.
She finds a new, more realistic way to channel her energies into helping others. Barbara and Undershaft are united by many things: paternal and filial relationship, society, family and law. Yet they are opposites. It is necessary for their individual characters that this unity should be broken, or that one of them should submit completely to the other—thus killing his individuality. ” (Egri: 1946, 122) In a real unity of opposites, compromise is impossible. The only solution may be found in a synthesis, which is the final product of the dramatic conflict between thesis and anti-thesis.
Instead of fighting for their rights, they are taught to pray to God for forgiveness.