Guia de Fotografia de Paisajes by Robert Caputo

By Robert Caputo

Durante más de un siglo el nombre de nationwide Geographic Society ha sido sinónimo de l. a. máxima calidad fotográfica. Sus publicaciones han gozado de los angeles asidua colaboración de algunos de los mejores fotógrafos del mundo. Aprende fotografía de l. a. mano de los profesionales más prestigiosos. ENGLISH DESCRIPTION For greater than a century, the nationwide Geographic Society has been synonymous with the very best quality in images. The world’s most sensible photographers have contributed to every factor. during this attention-grabbing and informative consultant, Robert Caputo, a popular NG photographer, explains the secrets and techniques of ways to take the simplest panorama pictures.

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Color in Motion Picture Film In addition to the highlight compression induced by the shoulder of the negative film, the toe of the print film also induces further highlight compression. Printing Heavy Negatives It is common practice to over-expose negative films, when light levels permit, to reduce graininess, saturate colors, or for other creative reasons. When a negative film is overexposed, the result is a “heavy” negative, or one in which the densities are heavier (higher) than those on a normally exposed negative film.

This premium print stock boosts the contrast of the overall picture and provides deeper blacks. 17 compares the projected print-through curves of Vision and Vision Premier print films. 6 for Vision Premier corresponds to a contrast ratio of nearly 4,000:1, which exceeds the capabilities of today’s digital cinema projectors. It is important to note that this represents the maximum sequential contrast ratio that can be reproduced by a typical print film, from the brightest white (D-min) to the darkest black (D-max) and that these conditions are never achieved within a single frame.

Color Gamut of the Digital Cinema Reference Projector (dashed red line), compared to film samples (pastel green) and HDTV (dashed blue line). The boundaries of the visible spectrum is shown by the solid black horseshoe. Several points on the daylight illuminant curve are shown, with D55 and D65 labelled. Figure 3-8. Three Dimensional Color Plot of XYZ color space, showing the outlines of the visible spectrum and the box inclosed by the additive primaries of the Digital Cinema Reference projector (rendering courtesy of Jeremy Selan and George Joblove of Sony Pictures Imageworks).

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