By Carla Power
An acclaimed American journalist and an across the world popular sheikh problem their worldviews—and friendship—to aid bridge one of many maximum divides shaping our international today
If the Oceans have been Ink is Carla Power's eye-opening tale of the way she and her longtime buddy Sheikh Mohammad Akram Nadwi came upon how to confront gruesome stereotypes and protracted misperceptions that have been cleaving their groups. Their friendship—between an earthly American and a madrasa-trained sheikh—had consistently appeared not going, yet now they have been pissed off and bewildered by means of the battles being fought of their names. either knew shut examine the Quran may display a religion that preached peace and never mass homicide; appreciate for ladies and never oppression. they usually launched into a yearlong trip during the debatable text.
A journalist who grew up within the Midwest and the center East, energy bargains her distinctive vantage element at the Quran's so much provocative verses as she debates with Akram at cafes, relatives gatherings, and packed lecture halls, conversations packed with either strong humor and strong insights. Their tale takes them to madrasas in India and pilgrimage websites in Mecca, as they come across politicians and jihadis, feminist activists and conservative students. Armed with a brand new knowing of every other's worldviews, strength and Akram provide eye-opening views, damage long-held myths, and demonstrate startling connections among worlds that experience appeared hopelessly divided for a lot too long.
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Additional resources for If the Oceans Were Ink: An Unlikely Friendship and a Journey to the Heart of the Quran
4 Whence the use, in modern aesthetics, of the term 'realism'. 5 For the overwhelming majority of moderns, the signs and characteristics of science are complex pieces of apparatus, endless reportings, a 'clinical' approach, etc. Page 16 the traditional sciences, may reveal an aspect of artless beauty. Conversely, the ugliness of Modern science deprives it of any value from the point of view of the contemplative and inspired sciences, for the central object of these sciences is the unicity of everything that exists, a unicity that Modern scientists cannot in fact denysince everything implicitly affirms itbut which it nevertheless, by its dissecting approach, prevents one from 'tasting'.
When modern historians look at traditional cosmologywhether this be the cosmological doctrines of ancient and oriental civilizations, or the cosmology of the medieval Westthey generally see in it merely childish and groping attempts to explain the causation of phenomena. In so doing, they are guilty of an error in their way of looking at things which is analogous to the error of those who, with a 'naturalistic' prejudice, judge medieval works of art according to the criteria of the 'exact' observation of nature and of artistic 'ingeniosity'.
It is deliberately ignored that the subject is the guarantor of the logical continuity of the world and, in its intellectual essence, the witness of all objective reality. In fact, a knowledge that is 'objective', and thus independent of particular subjectivities presupposes immutable criteria, and these could not exist if there were not in the individual subject itself an impartial background, a witness transcending the individual, in other words the intellect. After all, knowledge of the world presupposes the underlying unity of the knowing subject, so that one might say of a voluntarily agnostic science what Meister Eckhart said about atheists: 'The more they blaspheme God, the more they praise Him'.