By Scott Stuckey
Практическое руководство по фотографии во время путешествий. This tremendous useful consultant to commute images combines the easiest of all worlds: handy dimension, complete insurance, and important, ordinary suggestion from the specialists of nationwide Geographic vacationer, the top stream journal in its box. It’s the appropriate «how-to» for a person looking to grasp the veteran photographer’s trademark talents: a robust experience of position a rapid, decisive eye and a yes intuition for the dramatic scene. Be it a weekend get away or far-flung experience, each get together provides the opportunity for an exceptional picture. even if you’re after that once-in-a-lifetime shot or simply need a bright travelogue to percentage with neighbors, the last word box consultant to shuttle images may also help you in achieving your ambitions. It explores such key genres of images as panoramas, photographs, and making a narrative in images. regularly, the point of interest is on attractive your topic and working—often quickly—to get the easiest photographs. Chapters hide every thing from thought and learn to the practicalities of buying the suitable gear. sensible details together with checklists, crucial contents of a digital camera bag, and different precious assets are indexed within the again. Designed specially for energetic tourists, the booklet suits simply in a backpack or pocket for convenient entry.
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Extra resources for National Geographic Ultimate Field Guide to Travel Photography
But increasingly, tour operators, working behind the scenes, are compensating members of traditional cultures for making themselves available for photographs or for putting on cultural demonstrations. When handled well, Chris Rainier says, that is an enlightened approach. "Out of fairness, there should be compensation," he says. "If I'm Maasai tending my herd, and someone says they want to spend time taking pictures, that time is worth something," he says. " Bob Krist also prefers the arrangement in which the tour operator, rather than individual travelers, compensates local cultures.
I may sit and play with the children. I am honest to the point of appearing vulnerable, never domineering. I express my sincere interest in what they do and how they live. Only then, when the moment is right, do I ask if I can start shooting:' One way to break the ice, Karnow says, is to express honest appreciation of something that you want to photograph-some pottery, a persons home. Or Karnow will explain some difficulty she is having finding the right light or composition, to give them an TIP idea of what she's trying to accomplish.
For that reason, experiment with the other white balance settings on your camera, like "daylight" or "cloudy;' to capture the color of light most true to the scene. USING A FLASH Some travel photographers, including a few interviewed for this book, disdain flash photography. It produces harsh, "deer in the headlights" effects, they say, with blown-out subjects against inky black backgrounds. And with the high-sensitivity light sensors in today's digital SLRs, a photographer can use a high-ISO setting in lowlight situations without needing flash at alL It may come as some comfort to readers, then, that many Traveler story assignments have been shot without flash.