Off-Camera Flash Creative Techniques for Digital by Robin Deutschmann

By Robin Deutschmann

Off-Camera Flash: artistic innovations for electronic Photographers (Выносные вспышки: творческие методы для цифровых фотографов)-потрясающая книга об использовании дополнительного освещения при фотосъемке! Профессионалы и продвинутые любители стремится выйти за рамки обычного и стремятся повысить свой творческий потенциал, на примере их снимков, Вы узнаете в данном руководстве, как добавить настроение и управлять цветом и освещением. Используя метод, известный как вспышка за кадром , Вы узнаете, как изменить восприятие зрителя с помощью теней, чтобы скрыть некоторые детали или обратить внимание на особенности с помощью простого луча света. Из обзора руководства, узнаете приемы необходимые для создания этих эффектов, а также подробное описание того, как основные приемы помогают в более сложных ситуациях, такие как съемка крупным планом , портрет, черно-белые фотографии, а также фотосъемка движения. Это руководство по цифровой фотографии шаг за шагом научит Вас всем уловкам, необходимым для получения качественного фотоснимка. Книга на английском, но в ней большое количество поясняющих снимков и схем, так что все понятно! execs and advanced-level amateurs trying to push the envelope and increase the creativity in their pictures are proven tips to upload temper and control colour of their photographs with this advisor. utilizing a strategy referred to as off-camera flash, electronic photographers observe find out how to modify a viewer’s notion by using shadows to masks sure info or to attract recognition to a selected function with an easy beam of sunshine. From a survey of the equipment required to create those results and a close description of the way the elemental options are carried out to more difficult guide reminiscent of close-up options, on-location portraiture, black-and-white images, and shooting movement, this instruction manual bargains electronic photographers step by step instructions for choosing up the information and tips to set their paintings aside.

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To do this, you need a polarizer—a simple glass filter that screws onto your lens to eliminate glare from the sun and your flashes as well. NUTS AND BOLTS 55 The polarizer, as you may or may not know, is the single greatest accessory you could ever purchase for your camera. Often, we will shoot with just one hand-held, off-camera flash pointed directly at our subject—unmodified and at full power. The photos are staggeringly beautiful, of course, but only because we used a polarizer. Without it, the image would be a glared mess and completely unusable.

He can skip the front tiers completely and light only the rear if he likes (left). With more lights the artist has even more options. He can also vary the power of each flash, giving one tier even more power than the others (right). A flash can light any tier of graphic information the artist wants. With more lights, you have more options. to say it. Pick your spot based on perspective, choose your lens based on crop factor and depth of field needs . . then, move straight to the background and decide how you want to make it appear.

Then, slowly move forward one tier of graphic information at a time until you reach your lens. Then, shoot. The trick, of course, will be in identifying the tiers that need illuminating The process of building a message with an off-camera and leaving alone the ones that don’t. You’ll also have to choose the power output of the flash, its zoom position, what type of modification the light needs (if any), how you’ll be triggering the flash, and what’s going to sup- flash is pretty simple. port it.

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